MULTI-MILLION DOLLAR ARTS, MUSIC ENTERPRISE WELCOMES INTERNATIONAL ROSTER OF PLAYERS
Tippet Rise landscape offers color in all four seasons, and provides backdrop for what Tippet Rise organizers call "music coming from the center of the earth." |
STORY By CHRISTENE MEYERS
PHOTOS By BRUCE KELLER
HIGH ATOP the plateaus where sheep and cattle ranchers have long ground out a living, and native people fished and hunted centuries before, a brilliantly conceived center for the arts and music is open for its first season.
Imagination, location and deep pockets are principal players in the new Tippet Rise Art Center near Fishtail, Montana.
Peter and Cathy Halstead had a vision for a place that would break down barriers between art and nature. |
Big Sky Journal piece features Halsteads and Tippet Rise
The 11,500-acre creation has been introducing itself to small groups for several months and began to officially welcome the public in June.
AFTER SCOURING land in Hawaii and Colorado, Tippet Rise
benefactors Peter and Cathy Halstead came upon the property they’d dreamed of. They fell in love with the Fishtail property, seeing its potential for a magnificent nature-driven
“gallery” with indoor and outdoor concert spaces.
Alban Bassuet shows off the Patrick Dougherty schoolhouse, Daydreams," which transcends boundaries between land art, sculpture, and architecture. |
Located on hills and valleys which inspired painter Isabelle
Johnson, Tippet Rise – like its former inhabitant -- is an
original. It encourages participation. Neither festival nor retreat, it incorporates
elements of both. It is the Halsteads' personal homage to
the arts, taking their philanthropy and love of the arts to a grand level
in an inspiring setting.
As creators and bankrollers of the non-profit Tippet Rise
enterprise, the Halsteads opened heart, mind and check book, hiring cutting
edge talent to shape their vision.
Peter is an accomplished pianist with an enviable collection of Steinways many of which he has moved to the property. He dreamed of weaving classical music with landscape. Cathy, a painter with a fondness for grand sculptural pieces, shares Peter’s love of the outdoors. The two wanted their concert space to extend the landscape, to merge
nature’s art with man’s creations.
THEY COURTED internationally recognized acoustician,
designer and venue planner Alban Bassuet. Naming the acclaimed Frenchman
“executive director,” they charged him with bringing together performers,
audiences, sculpture and musical pieces in a spectacular natural
setting.
An Isabelle Johnson painting of her family ranch. The land is now host to an acclaimed new art center. |
With the premier season in swing through its finale Aug. 21 – Bassuet is basking in glory. He thinks it "fitting, almost ordained" that Tippet Rise ground inspired a beloved Montana painter long before the Halsteads eyed it.
Isabelle Johnson, born in 1901, lived on the land for decades, painting it with a modernist’s zeal. Her style is compared to an earlier
post-Impressionist pioneer, Paul Cezanne. She died in 1992, leaving paintings testifying to the countryside’s
beauty. Bassuet and the Halsteads believe it fitting that music and sculpture
celebrate the land Johnson loved, ranched and painted, and that her family ranch land hosts a novel arts center.
Painter Isabelle Johnson, photographed in the 1940s, inhabited and painted Tippet Rise land. |
“Is there a budget?” a guest asks. “Not really,” Bassuet smiles. “It’s about the
Halsteads’ belief that art, music, architecture and nature play key roles in
the human experience.”
THE HALSTEADS' fortunes come from investments, banking, oil and alcohol. (Does Grey Goose vodka ring a bell? Sidney Frank, Cathy Halstead’s father who
died in 2006, founded the company.) The two grew up with philanthropy,
art and reverence for the land.
Arts boosters Bruce Keller, Christene Meyers and Corby Skinner, backed by an Alexander Calder sculpture at Tippet Rise. |
The Halsteads’ dream included the desire that people be free
to “move about the land, appreciating it as an extension of their enjoyment of
the arts,” Bassuet says. “They insisted
each piece occupy its own space.” With
sculpture commissions in the millions, the Halsteads wanted viewers to concentrate on each piece individually–
without seeing another work. For that, a
large expanse of land was a necessity.
The renowned Ariel String Quartet opened the debut Tippet Rise season with pianist Nikolai Demidenko, left, on the Brahms Piano Quartet. |